Education — a fine arts foundation in Boston, then a formative MFA in Wisconsin designing Greek tragedy.
The London years — costume history scholarship at the Courtauld by day, resident designer at the Greenwich Theatre by night.
A Broadway debut, a Chicago detour, and two years touring Europe with a radical avant-garde theatre company.
The Circle Rep years — a Broadway hit with Irene Worth and Christopher Walken, a resident design post in New York, and a run of Chicago and off-Broadway acclaim.
A shift west to Seattle's regional theaters, then Washington, D.C. — where a first academic post begins alongside the design work.
A decade based at the University of Michigan, with award-winning regional work from Pittsburgh to Arizona to Broadway.
More than two decades at the University of Connecticut — Broadway design continues alongside a deepening commitment to costume history, exhibitions, and international leadership.
Retirement from full-time teaching, but not from the work — continued exhibitions, writing, remote teaching, and a move to Seattle to be near family.
A growing archive of additional productions from across her career — venues confirmed where known, exact years still pending for many.
